p. 2 |
|
p. 4 |
Contributors |
| |
Autumn 2008 Asian Biennials |
|
|
p. 6 |
Premature Farewell and Recycled
Urbanism:
Guangzhou Triennial and Shanghai Biennale in 2008
Hilary Tsui |
| |
|
p. 16 |
Post-West: Guangzhou Triennial,
Taipei Biennial, and Singapore Biennale
Jo-Anne Birnie Danzker |
| |
|
| |
Contemporary Asian Art
and the
Phenomenon of the Biennial |
p. 30 |
Introduction
Elsa Hsiang-chun Chen |
| |
|
p. 32 |
Biennials and the Circulation of
Contemporary Asian Art
John Clark |
| |
|
p. 41 |
Periodical Exhibitions in China:
Diversity of Motivation and Format
Britta Erickson |
| |
|
p. 47 |
Who’s Speaking? Who’s Listening?
The Post-colonial and the Transnational in Contestation and the Strategies of the Taipei Biennial and the Beijing International Art Biennale
Kao Chien-hui |
| |
|
p. 54 |
Contradictions, Violence, and Multiplicity in the
Globalization of Culture: The Gwangju Biennale
Sohl Lee |
| |
|
p. 61 |
The Imagined Trans-Asian Community and
the Fukuoka Asian Art Triennale
Elsa Hsiang-chun Chen |
| |
|
| |
Artist Features |
p. 67 |
Excerpts fom Yang Shaobin’s Notebook: A Textual
Interpretation of X-Blind Spot
Long March Writing Group |
| |
|
p. 78 |
Li Yifan: From Social Archives to Social Project
Bao Dong |
| |
|
| |
Art During the Cultural Revolution |
p. 84 |
Art and China’s Revolution
Barbara Pollack |
| |
|
p. 88 |
Zheng Shengtian and Hank Bull in Conversation about
the Exhibition Art and China’s Revolution, Asia Society,
New York |
| |
|
p. 94 |
Red, Smooth, and Ethnically Unified: Ethnic Minorities
in Propaganda Posters of the People’s Republic of China
Micki McCoy |
| |
|
| |
Reviews |
p. 101 |
Chen Jiagang: The Great Third Front
Jonathan Goodman
|
p. 106 |
AAA Project: Review of A-Z, 26 Locations to
Put Everything
Melissa Lam
|
p. 109 |
|
