| p.
4 |
Yishu
Online Feature :
Editor's Note (view
pdf - 78kB)
|
| p.
5 |
Chinese
Table of Contents (view
index pdf - 963kB)
|
| p.
6 |
Contributors
|
|
|
|
VENICE
BIENNALE PREVIEW |
| p.
8 |
Everyday
Miracles: Four Women Artists
The Chinese Pavilion at the 52nd Venice Biennale
Hou Hanru |
| |
|
| p.
14 |
Acting
Out From Atopia
The Taiwan Pavilion at the 52nd Venice Biennale
Hongjohn Lin |
| |
|
| p.
18 |
On
the Road to Venice, or, A Parrot Speaks to Me
The Hong Kong Pavilion at the 52nd Venice Biennale
Norman Ford
|
|
|
|
EXHIBITION
FEATURES |
| p.
22 |
The
Asia-Pacific Triennial
Jo-Anne Birnie Danzker |
| |
|
| p.
42 |
About
Arrivals and Departures: New Perspectives on Hong
Kong Art
A Dialogue Between Yuen Fong Ling, Sally Lai, Howard
Chan, and Siu King-Chung |
| |
|
| p.
52 |
Yes
Again, And This Time It’s for Real:
An Interview with Simon Groom and Karen Smith
Nav Haq |
| |
|
| p.
62 |
Uncertain
Realities: The Shanghai Contemporary Art Scene and Censorship
Biljana Ciric
|
| p.
67 |
There
are Already Thousands of Exhibitions in the World:
A Letter for Heman
Hu Fang |
| |
|
|
ARTIST
FEATURES |
| p.
70 |
Regarding
Book from the Ground
Xu Bing
|
| p.
76 |
Trans-boundary
Experiences: A Conversation between
Xu Bing and Nick Kaldis
|
| p.
94 |
Sites
of Construction and Encounter:
Interview with Wang Wei
Nav Haq
|
| p.
100 |
Seeing
What Is To Be Forgotten: The Photography, Video,
and Performance Art of Han Bing
Shannon May
|
|
RESPONSE |
| p.
106 |
Who
is Pounding The Wall? A Response to Paul Gladston’s
“Writing on the Wall and (Entry Gate): A Critical Response
to Recent Curatorial Meditations on the ‘Chineseness’
of
Contemporary Chinese Art”
Gao Minglu
|
| p.
116 |
CHINESE
NAME INDEX (view
index pdf - 735kB) |
