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Yishu-
Journal of Contemporary Chinese Art
Volume 2, Number 4, Winter/December 2003
h
p.
15
p.
22
p.57
p.
86
p.
91
h
GU
WENDA: FROM MIDDLE KINGDOM TO BIOLOGICAL MILLENNIUM
p.
4
Singapore,
Shanghai, Jakarta, Kansas City Raechell Smith
p.
7
China Reinvented:
The Art of Overseas Chinese Artists in the United States Melissa Chiu
p.
10
Why
Hair? Gan Xu
p.
13
New
and Old: Gu Wenda’s Art and Chinese Traditions Xiaoneng Yang
p.
18
Gu
Wenda’s United Nations:
A Consideration of Two Monuments David Cateforis
p.
25
Beyond
the Body Mark Bessire
p.
27
Symposium
Discussion Transcribed by Paloma Campbell
p.
33
Landscape
as a Cultural Consciousness in
Contemporary Chinese Art Kuiyi Shen
p.
41
Swinging
on Hyphenation:
An Inquiry into the Construct of an
Asian American Art Wang Shipu
p.
52
Ornament
as Knowledge, Ornament as Desire:
The Art of Emily Cheng Jonathan Goodman
p.
59
A
Strange Heaven:
Contemporary Chinese Photography Chang Tsong-zung
p.
68
The
Cement of Hong Kong Jaspar Lau Kin Wah
p.
78
The
Leftovers of Translation:
The Works of Shen Yuan Gilane Tawadros
REVIEWS
p.
88
Review
of the Inaugural Beijing Biennale Karen Smith
p.
91
Tseng
Kwong Chi at Chambers Fine Art Jonathan Goodman